Now that it is official that the Superman franchise will go with a much needed reboot, the talk of the town for about another year will be the approach of the movie. The only details we have is that the franchise will take a much darker tone in tune with what the dark knight achieved. With this new set of rules the powers that be at WB have let the cat out the bag and admitted that they have to deliver harder hitting modern heroes to maintain the success of The Dark Knight and create a possible crossover in the future. DC comics relies on its fans too much, and hardcore fans do not welcome changes to the character very well. In a way, it is the fans fault that some characters cannot move on with the times. The movie scene may set the trend and allow a much more natural and accepted take on the characters. Here is a list of things the movie could carry:
Story: The character has to be re-introduced in a more modern setting. Anything from the Donner-Singer-verse is out the window. Krypton will benefit from being presented as a different society from the Donner movies. You can incorporate android-like Brainiac to make him in the movie a threat to the world. An alien technology based kryptonian being designed to run krypton to finalize their dreams of Utopia (Jor-El would be the one opposed to this type of Alien AI that would ultimately be the cause of Krypton’s demise). He can find Kal-el and proceed with a plan to colonize Earth to keep the Kryptonian legacy alive. Superman can see it as his responsibility to stop him in order to protect his new home and as a curse of the Kryptonian legacy. Plus, they can both go at it for a nice action fight sequence. Lex Luthor should not be in this movie, but in pure joker fashion, he can be mentioned for a future film setup. How about the mention of the incredible stock rise of LexCorp in this movie to introduce Lex later on? The only thing I can mention is that the people involved in this project should be professionals that are fans of the character. The success Nolan had with the Hardcore fans was because he did deliver a real Batman that was still Batman.
Tone: That has been set from WB’s comments. It will be Darker. Doubtful that it can go all the way to where The Dark Knight went, but a modernized Superman is a must so a more gritty Superman story has to come to effect.
Look: The director will have full freedom to use his visual style in order to distance themselves from the previous template. The character designs should reflect the current times. Not the daily planet of the 1930s.
Costume: This needs a nice big redesign. The cape should remain(look at 300 for nice cape ideas), and a big S would be nice. Not a traditional one though. Do away with the red underwear. Get rid of the yellow. Maybe even combine or use one of these two:
Cast: Big name actors have to be used. An up and coming star should be considered for Superman. Louis Lane has to be a sassy reporter with spunk. Someone that looks nice and classy like Paola Turbay would be nice.
Score: BRAND NEW!!!
Movie franchise Setup: The idea is to establish a franchise that can go on a long run. The possibilities are limitless and seeing a Death of Superman saga as a trilogy later on would be incredibly interesting.
The limits on this do not exist. Many ways to go around but I think we all agree that the best way to approach this is to deliver a modernized Superman and not a hero archetype of ages ago.
Seems like the little dispute between Fox and WB back in february over The Watchmen is not so little anymore. Fox is not looking at grabbing or sharing any profit. They are looking at completely blocking the movie. This is troubling because it could push the movie from its original date or from being legally distributed…ever.
This really sucks. The trailer looked pretty good and it was interesting to finally see the characters imortalized on film. Lets see what hapens I guess.
There were some major hits in the comic movie arena this summer. Iron Man and The Incredible hulk were home runs and The Dark Knight was the biggest grand slam of them all. These movies once again have shown the special marriage between comic books and movies is here to stay. However, this something something special has happened. The superhero movies have grown and the basic mold has been broken. People now know and expect something more complex and sophisticated out of a movie. The linear approach and simplicity of a movie like Ghost Rider will not be accepted.
DC and WB are scratching their heads pondering real hard where to go from where they are to be where Marvel is. Their idea clearly is to set multiple platforms and capitalize with one big team up movie(s). However, DC is faced with more decisions and obstacles than Marvel. One of them being how to present the characters to an audience of today without looking unrealistically out of place with its contemporaries.
That is a big problem. The characters and their nature are stuck in a different time. DC comics has not grown with the times. The comments watchmen director Zach Snyder has made are true. The audience is more sophisticated these days and you CANNOT sell them something that is too earnest or unrealistic because they simply wont buy into it. That is if, of course, getting the general public(i.e. people who are not fans of the character) to even consider checking out your movie is what you are looking for. Unfortunately that is what most of the DC catalogue is sitting at: Filling an archetype. People wearing colorful spandex with capes and masks and with outdated themes. It may have worked for Linda Carter in the 70s but it would just look straight up ridiculous in a modern movie. The common audience wont take it seriously and it is that realism and reflection of the times that DC lacks in most of its core characters and has to modify to have a successful run in Hollywood.
Comic books are a part of popular culture which reflects itself in this form, and its themes and characters have evolved with the times for people to identify with them. Golden Age stuff has historical significance and importance but compared to what it is now it just doesn’t fit. DC has not updated their characters with the times and now were having a huge problem with Superman and its difficulty to have the audience relate to the current incarnation/presentation of the character. Superman returns was basically a repeat of a 1979 CLASSIC, and this day it didn’t go over too well even with the core FANS because its been done and ,well, it was just silly. People simply didn’t care and take the use of this presentation of the character as one of the weak points of the latest superman movie that’s left a bad taste on movie goers. Note how trying to do the same thing again to please and not alienate the fans ended up upsetting the fans, losing out on repeat viewings and interest of the general public, and not meeting expectations in the box office. Established movie franchises like James Bond have had to adapt with the times to keep filling the seats, and clearly it is working for them. Pierce Brosnan shooting from his invisible car holding a martini was not going to work forever and had to upgrade. That is what has to be done, of course, if setting up multimillion dollar franchises is what WB is down with.
A movie is not made for audiences in the past 70 years. Its made for an audience of TODAY. The reason the Dark knight was successful was because the character was presented in a modern setting with modern themes and situations in a manner that was realistic enough for the audience to suspend their disbelief and take interest all while still maintaining the essence of the character. There was a reason for Batman to wear a riot gear armor and not spandex with underoos. It was necessary for you to see that it made sense. Of course there are characters like Batman and maybe even superman that must maintain their cape and cowl, but the presentation of most the characters has to be modified and upgraded for these times and someone as imersed in this like Mark Millar will tell you the same. It is possible that the new wave of movies does this for the comics instead of the other way around but certainly DC has to catch up with the times.
I understand fans wishes to respect the history of the character, and certainly the essense of the character has to remain, but if you want to make money and keep people interested you cannot deliver a character that is out of setting with how sofisticated and non-naive the audience is. Not if you want to cash in big at the BO. When people are faced with something too surreal or not well done they wont enjoy the movie but will spend their time critizicing or making sense of it in their minds instead of watching it. The movie of course has to be fun, and has to be well written, etc, but if DC wants to pull this off succesfully in the same way marvel is doing it the characters have to be treated with a sense of common sensibility and realism that the characters currently do not have. Not to mention it has to be done in the same degree so that they can all be in the crossover movie.
With the fall TV season approaching, I’ve been checking in on a few shows that I watch regularly for some status updates. And there’s a heck of a lot happening around one of my personal favourites, Smallville.
Cast changes are nothing new to the show. Pete Ross and both Kent parents have departed from the show, as have bit players like Lana’s high school boyfriend Whitney Fordman and the original town sheriff (whose name escapes me). But as the show enters its eighth (and likely final) season, there are massive changes on the horizon. Kara (aka Supergirl), Lex Luthor and Lana Lang will not be returning as regulars for the final season. Add in the fact that Lionel Luthor left the show during Season 7 and you have a seriously depleted cast. We are essentially left with Clark, Chloe, Lois and Jimmy Olsen as the only truly remaining core characters.
I won’t miss Supergirl; I don’t feel she added much depth to the show, and the actress didn’t seem to be able to do much with the character. And Lana’s character ran her course, she was due to leave. But losing Lex… you can’t have Yin without Yang. His departure will ultimately affect the show even more than the departure of developers Alfred Gough and Miles Millar. Which brings up another point, they had always insisted on “no tights, no flights” for Clark Kent. This may change now that they are off the show, which could be good or bad.
Season 8 will also feature some other interesting twists. Smallville featured a one-off “Justice League” created from a collection of super heroes introduced at various points in the show’s history; Green Arrow, The Flash, Aquaman and Cyborg. Apparently, this Justice League (likely consisting of Arrow, Aquaman and Martian Manhunter) will become more formal, especially now that Green Arrow is a regular on the series. As a comic fan, I can honestly say this intrigues me. I love the idea of a live-action Justice League show… but I don’t know if I like it at the expense of the Smallville series I have watched regularly over the past seven years. It will be interesting to see how this affects the series.
Finally, there was another piece of news that I didn’t quite know how to react to; Doomsday is coming to Smallville. The very same Doomsday that killed Superman back in the early 1990s (in the comics). Ironically, Doomsday came about because the Lois & Clark series scuttled DC’s original plans to have the comic Superman and Lois get married. However, plans were changed when ABC wanted the on-screen version to get married first. So DC regrouped and ended up doing the Death of Superman storyline, which single-handedly reworked much of 1990s DC mythology (which I won’t go into here). Anyhow, this Doomsday character will apparently have an alter-ego who is an “easy-going paramedic”. This sounds a little like an evil version of the Incredible Hulk… which makes me cringe in anticipation of an on-screen Doomsday that might almost be as bad as the film version of Bane from Batman & Robin.
There are plenty of changes coming; Smallville might be barely recognizable compared to even the most recent season. Will I like it? I have no idea. Will I be entertained? I sincerely hope so. But more importantly… will I watch? Oh hell yeah.
Its part two of the Hulk series. Now its against Thor. I wonder if they are going to make him talk asgardian styles. Either way this looks cool
The Dark Knight is a modern cinema classic. Up there with the all time crime drama epics of all time.
Now watch the youtube version:
In the early and mid 90’s marvel comics started releasing a trading card set consisting of about 200 cards per set. Even though the company was going through some rough times financially, these trading card sets were what mapped the way for marvel geekdom for years to come. All of my basic knowledge comes from reading these things over and over and over. Even though I don’t have them memorized, I’m pretty sure that I know every single “Did you know?” section from these cards.
These cards were extremely popular around its time, and it is arguable that these cards represent the biggest non sports card property of all time.
Today we look at set #1 that came out in 1990. All images courtesy of Marvel.com
Here is some commentary on some of my favourites:
Black and White Spidey: Spidey in black and white will always have some sort of interesting apeal. We have seen it resurface this year and I don’t think we have seen the last from this costume. Pretty sick. I always liked the battle statistics. Pretty straight forward. You suck or you don’t.
Wolverine: This is one of my favorite cards of all time. The art on this one is nice. Wolverine was the only character to have been featured in 3 individual cards on this set(Classic, Current, Patch).
Cosmic Spidey: Hilarious in a way. Every time someone that doesnt know much look at this collection they are always puzzled as to why spiderman is flying and what exactly it is that he is flying away from. Check out the twin towers in the background. In this stupidly PC world, this would have been a controversial card.
The Blob: I loved this card. Whomever drew this did a great job showing what the blob really is instead of a really fat guy which is what some actually think.
Famous Battles: These cards showed some art from an important event in the DCU. Lots of basic information for little geeks like myself. So basically, if you sit down with someone and they start talking about how the Hulk and Wolverine once went at it there is a chance that this is where they got it from.
Spiderman Presents: Some cheesy humour but it does the job. There are about 8 of them and I think they are all pretty funny. This was the only set to feature these cards
Holograms: There were 5 hologram cards on this set. They were al based on another simple card. These were the special hard to find cards. I never suceeded in obtaining more than two.
Stan the man: Someone drew this while on a high concentrated dosage of acid.
MVC Cards: They featured very important issues. Watch for an upcoming movie on this one.
This was by far my favourite set. I spend money, sweat and tears trying to get this whole set together and I had great success. There was a huge buzz about these cards among kids and Im sure it brings a memory or two.
I saw The Dark Knight over the weekend, a film I have been very excited about seeing (along with most of the Western World, apparently), and I have one simple thought that summarizes most of my feelings on the movie: “WOW”.
Without ANY exaggeration at all, this is far and away the best super-hero film I have EVER seen. Vastly superior to both of the first two Spider-Man movies due to its depth and strong supporting cast. Better than the first X-Men film due to its stronger story-telling and better character development. Better than Daredevil for… well, pretty much EVERYTHING. And it even manages to outperform Batman Begins by taking nearly everything about itself (special effects, plot, believability, fun factor) to the next level.
But never mind this being the best Bat-film or the best Super-Hero film (ever). This is a tremendous film in and of itself. Each of the main supporting cast players (Morgan Freeman, Michael Caine, Maggie Gyllenhaal, Gary Oldman) were tremendous. The two main actors not playing Batman (Heath Ledger and Aaron Eckhart) were incredible. I’ve previously enjoyed Eckhart’s work in “Thank You For Smoking”, and he did not disappoint here. He plays the tragic Harvey Dent perfectly, and even creates sympathy for what eventually becomes Two-Face.
I should state off the bat (no pun intended) that I don’t buy all these rumours about Heath Ledger committing suicide because the Joker role took him too far into a bad place. However, I WILL say that he convincingly played the role as a completely psychotic, inherently evil villain. And villain doesn’t do him justice; this movie feels like what would actually happen if a man with no limits, mental or financial, decided he wanted to terrorize an entire city for his own amusement.
My only complaint (if you can call it that) is that Christian Bale doesn’t have a chance to shine as Batman. He is simply overshadowed not only by his co-stars, but by the story itself. He again plays the part of Batman very well, but there is far less depth to the role available to him than there was in Batman Begins. However, when this is the sole complaint of a movie, you realize how far you have to go to find something to complain about.
If you haven’t seen this movie, do so ASAP. And if you have, go see it again. Never mind all the trailers or critics that hype every movie coming out between May and September. This truly is the movie of the year; and if there is any justice, Ledger will be up for an Oscar.
Watch the trailer that will be attached to The Dark Knight.
It looks really cool. That smashing pumpkins song sounds familiar. This must be a remix of some sort.